Review: Provenance by Ann Leckie

When your first book wins three major awards in the genre, you tend to set yourself a very high bar. Anne Leckie follows her Ancillary Trilogy with Provenance, a new novel that takes place in the same universe as her previous work.

This time, the story is more of children wanting parental acknowledgment, and what that can lead to. In this case, it results in a criminal busted out of a broken prison, a murder, and a political crisis. Taken at face value, Provenance looks like nothing new, but Leckie’s main character Ingray is a sympathetic one who must make their way through the events they set off.  Along the way, Leckie also looks at the importance of historical artefacts, and if the truth of them is more important that what they represent. 

The story moves with the slow burn that Leckie used in the past, and this is appears to the first of a multi volume story. It is one that I will certainly look to follow with interest. 

Review: Ancillary Mercy by Ann Leckie

Ancillary_Mercy_CoverWhen you get to the last installment of a trilogy, you expect big things. This is the installment that ties up loose ends, and completes a character’s journey.

In Ancillary Mercy, Anne Leckie manages to do both of these. The action here picks up a few weeks after 2014’s Ancillary Sword, with much of the first few chapters dealing with the immediate aftermath of that novel. It then moves into a holding pattern, with various other tasks at hand, as the novel waits for the Empire at war with themselves to arrive.

That’s not to say that this makes the novel uninteresting. As a world building exercise, this novel certainly expands the universe that the Ancillary Trilogy lives in, and Leckie should be congratulated for creating such a vivid, true enviroment for the characters to inhabit. During all this, the confusion of Breq with gender continues, and despite the idea of journey the character never seems to be any hurry to try remedy this situation. Since the story is told from Breq’s view, everyone being referenced in the female can make it feel like this is a world only of women.

The climax  is something that seemed like it was going to be massive. Without going into spoilers, it isn’t. Overall Leckie has certainly shown herself to be a talent to look for in the future, and one that I will certainly read when her name comes across my desk. As for this novel ? Well, I would say it is a satisfactory ending to the trilogy, with enough room for this universe to be revisited.

Review: Ancillary Sword by Ann Leckie

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When the first novel of a trilogy wins the Hugo and Nebula awards, one tends to expect big things in the follow up. It was with this assumption that I made my way to Ancillary Sword, the second of the Imperial Radch Trilogy from Ann Leckie. The first of the books, Ancillary Justice was a space opera that I found exciting, with the story unfolding from the point of view of an AI on a craft getting input from reanimated bodies, called Ancilliaries. It ended with a high point that promised so much more.

The version of Ancillary Sword that I “read” was actually the audio version, read by Adjoa Andoh. The presentation was capable enough without being obtrusive, but with enough emotion to be Breq, the main character in the novel. Breq is all that remains of the ship from the first novel, and the AI now has to find its way through the universe without all the accoutrements that a ship size AI can expect.

Knowing that a civil war will soon be occurring, Breq does not do what you would expect. Instead there is moral umbrage on local issues and side tracking from the major concerns of the trilogy.

Leckie has continued with the AI’s misunderstanding of gender, a device that is both enduring and a little limiting. With everyone a she, it can make it difficult to really get a handle on what is going on. Breq still maintains her ship ability to evesdrop on Ancilliaries, which allows for the single person narative to switch to scenes where the charater is not actually present. In the audio version this requires particularly close listening, as it is easy to forget where you are. My biggest problem is that I found it distracting, in that we would go from a single person’s experience of a scene, to a scene where our main character was not even available. It made me wonder why not being a ship was a tragedy when you still possess all the abilities you had before the ship was destroyed.

The action in this novel is a little slower, but this is not an action space opera. It is a ‘clean up the local issues, play local politics, throw military muscle around’ space opera, so don’t expect something that moves at a fast pace. When it does move, Leckie is able to move it along with a touch of the old Deus Ex Machina.

Overall Ancillary Sword isn’t a complete waste of reading time. The original premise of the first book is carried through, although the revelations at the end of the first are quickly ignored. Outside of those who have read the first in the series, I would recommend this to those who are looking for a new voice in science fiction. In this sophomore effort, Anne Leckie shows us that although she still has some things to learn, she will be an imagination to keep an eye out in the future.

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