Mr Jobs had another one of his announcement extravaganzas today, announcing a slew of new hardware and software. Australian Macworld have a great wrap on it all (Disclosure: I am a contributing writer for Australian Macworld), but aside from the understandable excitement on the Mac App Store and Mac OSX Lion, I was most taken by the update to the iLife suite.
Like a lot of iMovie users, I loved the 06 version, which was then arguably devolved to iMovie 08. I’ve actually gotten used to the 08 version but it still doesn’t make the grade in a lot of ways. It seems that Apple have actually heeded the outcry, with the 2011 iteration looking a little more like its grandfather. There’s also a bunch of new features such as storyboarding and simple trailer creation that will reflected in thousands of online video uploads.
I’ve got a review copy of iLife 11 on order, so watch this space, and the Apple guff on iLife can be found here.
In the meantime, a prediction: the new Mac App Store will see iMovie, iPhoto and Garageband plugins / add-ons for sale.




Zak: I tend to create music for the sake of the music, as opposed to ulterior motives like fame or fortune. I can say for sure that I still have a lot of music inside of me that has yet to emerge. I’ve begun writing songs for a second solo album, which I intend to start working on in early 2010. But on an immediate basis, my self-titled debut album is just coming out now, so I have some stuff to do to help promote it. In that regard, I will be doing some live shows in real life, and we’re making an effort to get terrestrial radio airplay here in the USA in addition to the Internet radio play we get on stations like IndieSpectrum Radio and SL Live Radio. While I’m not fooling myself into thinking my album will be some massive pop hit, I still want to do the things that will at least give it a chance to get heard, so the current focus is in that regard. I’m working closely with Kat on this stuff, since we’re partnering in a record label called Frothy Music to do the release of my album.
Zak: Lots and lots of mistakes to avoid. First and foremost, check your ego at the door, as Quincy Jones once famously said. I’ve seen a number of musicians come into SL thinking they should be the hot ticket from day one, since they have a bit of real life experience as a musician. But as I mentioned earlier, there’s actually a pretty deep talent pool in SL, and like any music scene you’re trying to break into, you have some dues to pay in terms of getting recognized.
JaNa KYoMooN, the avatar used by Jan Pulsford, is a musician I’ve known since the late 90s when we were both involved with online music collaboration via the now defunct
JaNa: My fascination with music technology and computers started back in the days of the Oberheim System and continued through C-lab’s Notator on an Atari to working with Logic Audio on the Mac. I became a beta tester for Logic Audio’s Rocket Network, a global network of pioneers of on line collaboration and today I continue to develop that spirit in the 3D virtual world of Second Life where I perform as a solo virtual artist mixing electronica with ambient improvisations and rhythmic reflections.
JaNa: They come and go but so many to choose from! The Music ALL Music Peace Park of course! The Pyramid art gallery and Club Ethereal run by Torben Asp and Jess Oranos. The Bluff Arts Center with ZeroOne Paz, Gaia Island with Enchantress Sao, Anthology with Trella Mohan, Dragonfly Reign with Magnolia Anthony and Broody Flow, Firehouse with Trowser Boa and Sugar Hill Island with Marjorie Dibou. The list goes on . . . . and on
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